Charles Napier Hemy, The Shrimper’s Return
01 Classic Works of Art, Marine Paintings — With Footnotes, #169
The Shrimper’s Return, 1901
Oil on canvas
24 x 36 inches (61 x 91.5 cm)
Private collection
Small-scale local fishery for shrimp and prawns has existed for centuries and continues to form a large proportion of the world’s shrimp fisheries. Trawling increased in scale with the introduction of otter boards, which use the flow of water to hold the trawling net open, and the introduction of steam-powered vessels, replacing the earlier sail-powered boats. Both of these developments took off in the 1880s, and were soon applied to shrimp fisheries. More on The Shrimper
Charles Napier Hemy RA (Newcastle-on-Tyne 24 May 1841–30 September 1917 Falmouth) was a British painter best known for his marine paintings and his paintings in the Tate collections.
He trained in the Government School of Design, Newcastle, followed by the Antwerp Academy and the studio of Baron Leys. He returned to London in the 1870s and in 1881 moved to the coastal town of Falmouth in Cornwall. He produced painted figure and landscapes, but is best known works are Pilchards (1897) and London River (1904) which are in the Tate collections.
John Singer Sargent painted a portrait (now in the Falmouth Art Gallery collection) of Hemy on a visit to Hemy’s Falmouth home, ‘Churchfield’, in 1905. The visit highlighted the importance of the circle of artists that surrounded the great marine artist in the town.
Hemy was elected an Associate of the Royal Academy in 1898 and an Academician in 1910, he was also honoured as an Associate of the Royal Society of Painters in Water Colours in 1890 and became a full member in 1897.
He died in Falmouth on 30 September 1917. More on Charles Napier Hemy
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