Henry MALFROY, Paris, l’Arc de Triomphe
01 Painting, Streets of Paris, Part 70 — With Footnotes
Honoring those who fought and died for France during the French Revolutionary and Napoleonic Wars, the Arc de Triomphe de l’Étoile stands at the center of the present work by Jean Béraud, the master of Belle Époque Parisian painting. Béraud presents the prototypical view of the Champs-Élysées: fashionably dressed figures stroll under the trees and others ride in carriages down the busy avenue. Many have commented on Beraud’s realistic portrayal of everyday life at the fin-de-siecle and this attention to detail extends to his meticulous depiction of a plaster sculpture that surmounted the Arc itself at the time-Alexandre Falguière’s The Triumph of the Revolution. As one of the finest sculptors to practice during the Second Empire, Falguière conceived his monumental plaster sculpture as an elaborate quadriga preparing to “crush Anarchy and Despotism”, a worthy commentary on the political vagaries that had beset France in the past. The plaster group was in place from 1882 until it crumbled in 1886. Unfortunately, no version in bronze was commissioned; there is only a maquette of the sculpture in the collection of the Musée d’Orsay, and, of course, images such as Béraud’s Arc de Triomphe. More on this painting
Henry Malfroy, ( b. January 15, 1895, in Martinique; died in 1944), was born in Martigues (Mouth of the Rhone) on the 15th January 1895.
He was most likely the son of Charles Malfroy, with whom he is often confused. He was an impressionist painter, specialising in topographical subjects including the town of Cassis, the Mouth of the Rhone, the Var and in particular street scenes of Paris.
He regularly exhibited at the Salons des Artistes Francais et des Independants. More on Henry Malfroy
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